Dutch Figurative Painter

Keesvan Willigen

A life of art across four cultures — a crafted, organic, universal oeuvre.

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The art of painting the soul

Born in The Hague in 1915 into a large family of Dutch jewellers, Kees van Willigen developed an early, almost surgical eye — trained in Hanau on precious metals, he transposed this precision to brush, ink and watercolor.

Influenced by surrealism and cubism, his work spans four cultures with rare freedom. Painter, draughtsman, printmaker and architect: a complete artist, driven by a humanist spirit and deeply personal poetry. His colours are inimitable — complex, far from the world of screens.

SurrealismCubismFigurativeWatercolourPrintmakingHumanist
Portrait — David Russel, 1942
David RusselJava, 1942

The Hague · Hanau · 1931–1937

Before painting,
goldsmithing

Before picking up a brush, Kees van Willigen drew jewellery. Trained in Hanau — the world capital of jewellery — he mastered the art of precious metal, stones and shadows on black paper.

Tree with the White Goat
Ardèche · Oil on canvasTree with the White Goat
"

A pictorial work more than painted — crafted. Complex, inimitable colours, far from the world of screens.

van Willigen Gallery — retrospective catalogue

Samuel and the little boat
1973 · Oil on canvasSamuel and the little boat

Timeline

1915
Born in The Hague
Netherlands · Family of jewellers
1931
Drawing academy, Hanau
Germany · Trained on precious metals
1937
Moved to Java, Batavia
Indonesia · Paintings, prints, portraits, watercolours
1942
Prisoner of war — Thailand–Burma railway
Art made in camps · Roll Call preserved at The Hague museum
1957
Ardèche — development of his organic style
France · Until 1969
1964
Exhibition at the Netherlands Institute, Paris
International recognition
1990
Death in Lelystad
Netherlands · A legacy of 800 letters and hundreds of works

1950 – 1960 · Ardèche · The Hague

The cubist period

From the 1950s, Kees van Willigen develops a singular plastic language where animal and human forms fragment into clear geometric planes. Influenced by Picasso and analytic cubism, he nonetheless imposes his own organic, fleshy, living vision.

1963 – 1981 · Surrealism · Oneirism

The strange and the real

Kees van Willigen never abandoned the strange. Behind familiar landscapes and sensual bodies another reality emerges — industrial, dreamlike, sometimes unsettling.

1960 – 1989 · Human Figure

The body as landscape

The nude occupies a central place in Kees van Willigen's work. Not the academic nude, but the living, carnal, organic body — treated with the same freedom as his landscapes.

Catalogue

More works

Paintings and portraits sorted by theme. Each work has its own detailed page.